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By the turn on the 20th century, amateur advisors and publications were increasingly challenging the monopoly which the large retail companies had on decor.

English feminist author Mary Haweis wrote a few widely read essays inside the 1880s where she derided the eagerness that aspiring middle-class people furnished their houses good rigid models provided to them because of the retailers.[10] She advocated the consumer adoption of any particular style, tailor-made to the average person needs and preferences with the customer:

"One of my strongest convictions, and one from the first canons of excellent taste, is our houses, much like the fish’s shell along with the bird’s nest, need to represent our individual taste and habits.
The move toward decoration to be a separate artistic profession, unrelated on the manufacturers and retailers, received an impetus using the 1899 formation from the Institute of British Decorators; with John Dibblee Crace as the president, it represented almost 200 decorators across the country.[11] By 1915, the London Directory listed 127 individuals trading as interior decorators, which often 10 were women. Rhoda and Agnes Garrett were the primary women to practice professionally as interior designers in 1874. The importance of their focus on design was regarded during the time as over a par your of William Morris. In 1876, their work – Suggestions for House Decoration in Painting, Woodwork and Furniture – spread their applying for grants artistic interior planning to a wide middle-class audience.[12]

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